Bong joon ho and roger deakins9/23/2023 ![]() ![]() Scorsese had a similar experience watching at some distance from a crowded office scene as Al Pacino as Jimmy Hoffa kept on going, unable to hear the director through the din. Al Pacino, Jesse Plemons, “The Irishman” Netflix When he had executed 28 takes, the last thing Mendes wanted to hear was that the best one was No. ![]() Mendes had to make editing decisions while they were shooting, and each eight-to-10 minute scene required full engagement from the entire crew, as he and editor Lee Smith had to decide immediately which take to use before lining up the next shot. ![]() Mendes was tethered to a big-scale monitor, mounted on a horse box - “a video village on wheels,” he said - which rolled from place to place out of camera range, as he and his script supervisor tracked the long-take, 360-degree action that was sometimes so far away that young actors George MacKay and Dean-Charles Chapman couldn’t hear him say “cut.” “‘That’s not an order, it’s a suggestion.'”īoth Mendes and Scorsese had to pay more attention to video playback than normal because of the unusual technical requirements of their respective shoots. “I suddenly became a lot nicer to the crew,” he said, to much laughter. “I know which one is the one I feel it.” On “Jojo Rabbit,” Waititi felt self-conscious about barking orders dressed like Adolf Hitler. Waititi and Tarantino stay as close to their actors as possible, often acting out scenes for them. Here are the most compelling things I learned from this two-hour and 43-minute interview. But this year, the fact that there's good feeling around so many different films - and enormous respect and love for both Parasite and Bong Joon-ho - means that this ceremony fared much better.Lily Gladstone Says ‘Killers of the Flower Moon’ Is ‘Not a White-Savior Story’ That made big nights for Green Book and Bohemian Rhapsody, neither of which seemed to excite the crowd, very disappointing. Last year's ceremony also went without a host, and it wound up being dominated by the actual wins and losses. That's a lot of rap for an Oscars ceremony. Not long after, there was a recap rap from Utkarsh Ambudkar, an actor who appeared this year in Brittany Runs a Marathon, reminding everyone what had happened so far. But it made people happy and got the crowd going like nothing else did all evening except Parasite winning awards, and there's something to be said for that. ![]() It wasn't an obvious move to throw in that performance, given that it's not celebrating any kind of round-numbered anniversary it won at the 2003 ceremony, though Eminem didn't perform it then. The musical moment you probably would not have expected - because, really, who could? - was that actor Anthony Ramos introduced Lin-Manuel Miranda Lin-Manuel Miranda introduced a montage saluting the music used in movies over many decades and that montage led to Eminem performing the Oscar-winning "Lose Yourself" from 8 Mile, to which the audience responded rapturously. Pop Culture Happy Hour A Fun But Familiar Story Of Making Yourself Over In 'Brittany Runs A Marathon' The monologue that followed, however, was much more creaky and awkward, despite the best efforts of Chris Rock and Steve Martin (the latter of whom regrettably blew the name of best actress nominee Cynthia Erivo). A version of her own song "Come Alive" was accompanied by dancers dressed in costumes saluting not just nominated films like Joker, but also conspicuously snubbed ones - several of them, but not all, from black filmmakers - including Us, Queen and Slim, Dolemite Is My Name and Midsommar. The evening began three and a half hours earlier with a combination of the old and the new: the kind of themed singing-dancing number that used to be the typical Oscars opening, but in the absence of a traditional host, it was performed by the thoroughly modern Janelle Monáe. And, while he gave most of his speeches in Korean with interpreter Sharon Choi, when he won the first one, he stopped and noted in English: "This is very first Oscar to South Korea." The affection in the room for the film was evident every time it was mentioned, as well as in its strong haul of awards (though it absurdly landed not a single nomination for its uniformly excellent cast). ![]()
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